sherman alexie the lone ranger and tonto fistfight in heaven

Alexie, who claims the title came to him from a dream, studs his stories with other references to popular culture to underscore the ways in which representations of Native Americans have played a part inĬonstructing the image they, and others, now have of them. The names are taken from a popular radio and television show of the 1950s in which a white man, the Lone Ranger, teams up with an Indian, Tonto, to battle evil in the old west. The Lone Ranger and Tonto are symbols for white and Native-American identity, respectively. The book's title is derived from one of the collection's stories, which details the experience of a Native American who leaves the reservation to live in Seattle with his white girlfriend and then moves back. Alexie fuses surreal imagery, flashbacks, dream sequences, diary entries, and extended poetic passages with his storytelling to create tales that resemble prose poems more than conventional narratives. The book's central characters, Victor Joseph and Thomas Builds-the-Fire, are two young Native-American men living on the Spokane Indian Reservation, and the stories describe their relationships, desires, and histories with family members and others who live on the reservation. Comprised of twenty-two interconnected stories with recurring characters, the work is often described by critics as a short-story collection, though some argue that it has novel-like features similar to Louis Erdich's Love Medicine.

The Lone Ranger and Tonto Fistfight in Heaven, published in 1993 by Atlantic Monthly Press, was Sherman Alexie's breakthrough book. The Lone Ranger and Tonto Fistfight in Heaven Introduction

Sherman alexie the lone ranger and tonto fistfight in heaven